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As a Buddhist, I often reflect on the nature of impermanence, non-attachment, and the continual unfolding of the present moment. These reflections shape both the conceptual foundation of my work and the way I approach making. I am particularly interested in liminal states and the accumulation of time. Through these subjects, I investigate how change, memory, and presence become visible in everyday life. I remain open to uncertainty and transformation throughout the making process. These so-called "happy accidents" in the studio continually teach me to accept change and let go of control. Printmaking plays a central role in this practice because it exists at the intersection of intention and chance. The medium requires precision and often time-consuming preparation, yet it also produces variations that cannot be fully predicted. The process expands my vision by embracing the dynamic relationship between planning and unpredictability, often bringing me to outcomes I could not have imagined beforehand.